byBerssenbrugge, Mei Mei; Guest, Barbara; Waldman, Anne
A Barbara Guest Tribute with Barbara Guest and Anne Waldman. The tribute includes Waldman discussing Guest's titles, Guest's biography on HD, and a reading. Guest continues a discussion on what a poem is, followed by a reading and comments on erasure, hauntedness, physicallity, and destructiveness, a discussion on ego, availability of information, and "experimental" being gone from Naropa. Topics: Mei Mei Berssenbrugge, Barbara Guest, Anne Waldman
byGinsberg, Allen; Hawkins, Bobbie Louise; Taylor, Steven; Waldman, Anne
A performance by Allen Ginsberg, Anne Waldman, Bobbie Louise Hawkins, and Steven Taylor. The recording includes: Ginsberg accompanied by Taylor performing "1948: A Western Ballad," Hawkins's "Middle-Aged Woman Stardust Rap," and Waldman accompanied by Taylor performing "Contra Chant." Also included is an untitled song performed by Taylor. ( 2 reviews ) Topics: New American Poetry, Beat Movement, political poetry, Buddhism, performance poetry, Naropa...
First half of a reading by Allen Ginsberg, Anne Waldman, and Diane diPrima. Some of the readings included are Waldman's "Fast Speaking Woman," Ginsberg's "A Manifesto," and diPrima's "Loba." (Continues on 74p009.) ( 1 reviews )
Second half of a reading by Allen Ginsberg, Anne Waldman, and Diane diPrima. Some of the readings included are Ginsberg's "Stay Away from the White House," "Waldman's "Empty Speech" and diPrima reading from "Revolutionary Letters." (Continued from 74p008.) ( 1 reviews )
First half of a reading by Allen Ginsberg, Anne Waldman, and Diane diPrima. Some of the readings included are Waldman's "Fast Speaking Woman," Ginsberg's "A Manifesto," and diPrima's "Loba." (Continues on 74p009.) Keywords: New American Poetry, beat movement, feminist poetry, incantation, protest poetry, political poetry
A class by Robert Creeley on topics including Louis Zukofsky, Charles Bernstein, Mac Low, and Ovid's constant and variant notion of public. Topics: New American Poetry, Black Mountain School, 20th century poetry, beat movement, objectivist
A lecture on documentary poetry and cultural poetics by Alan Gilbert. The lecture includes music and ends with a question and answer period. [by Ann] Alan Gilbert lectures on art, literature, and culture. He discusses works of art as social documentary, alleging that all art is site specific, all cultures are hybrid, and works of art have different effects in different contexts. He uses Walker Evans's photographs, Harry Smith's recordings of folk music, Anselm Hollo's poem High plains drifting...
An Alice Notley class, with Notley reading her long poem "Tractatus." The recording begins about twenty minutes into the tape with Notley already reading. She reads the entire work and answers questions.
Allen Ginsberg and Ann Charters class on Jack Kerouac and Russian Futurists, discussing Kerouac's method of revision, his five-cent notebooks, his book Old Angel Midnight, methods of composition, his 1956-1959 notebooks, James Joyce's Molly Bloom and Finnegan's Wake, Buddhist Shakespearean plays, Kerouac's On the Road scroll, Visions of Cody and Dharma Bums, and a short discussion of the Russian Futurists. ( 1 reviews )
Allen Ginsberg and Ann Charters class discussing and reading from Russian Futurists. Topics include Sergei Esenin's book Confessions of a Hooligan, Vladimir Mayakovsky's poem "A Cloud in trousers," Mayakovsky's biography and prison story, rebellion's relationship to Punk, utopian heroic Communism, linguistic exploration, and Lenin and Trotsky on Russia's $150 million loan. ( 1 reviews )
Author and editor Ann Charters joins Allen Ginsberg for a class focusing on the work and life of Russian poet Vladimir Mayakovsky. Ginsberg and Charters discuss Mayakovsky's poetry, including "Lenin," "About this," "On the nature of love," "Sergei Yesinin," and "At the top of my voice," his play "The bedbug," his love affairs and his work for, and complicated relationship with, the Communist Party.
Second half of an Allen Ginsberg and Anne Waldman reading. Ginsberg reads "Don't grow old," "What's to be done about death," "Monologues," and others. Waldman reads recent letters and journal entries. She also reads the poems "Billy work peyote" and "Plutonium poem," and others. (Continued from 77P093)
Allen Ginsberg sings at the West End Tavern in Boulder, Colorado, accompanied by a jazz ensemble with Art Lande. Highlights include "Hum bom," "Put down your cigarette rag (Don't smoke)," and "Sickness blues." ( 1 reviews )
First part of a reading by Allen Ginsberg and Michael McClure. Anne Waldman introduces the reading that includes Ginsberg performing "Howl," "A Strange New Cottage in Berkeley," and "Supermarket in California." McClure reads "For the Death of 100 Whales," "Jaguar Skies," and "Dark Brown." (Continued on 76p108.) ( 2 reviews ) Topics: New American Poetry, West Coast poetry, beat movement, music and literature
Second half of a reading with Allen Ginsberg and Michael McClure, featuring Ginsberg songs "Guru Blues," and "Gospel Noble Truths," a few Ginsberg poems, and two poems by McClure. (Continued from 76p107.) ( 1 reviews ) Topics: New American Poetry, West Coast poetry, beat movement, music and literature
Second half of a reading with Allen Ginsberg and Michael McClure, featuring Ginsberg songs "Guru Blues," and "Gospel Noble Truths," a few Ginsberg poems, and two poems by McClure. (Continued from 76p107.) Keywords: New American Poetry, beat movement, West Coast poetry, music and literature ( 2 reviews )
Philip Whalen and Allen Ginsberg read poetry at the Naropa Institute. Whalen reads "The 20th of July 1958," "Denunciation," "Hymnus ad patrum," "Something nice about myself," "Manifesto 1959," "Awake a moment," "Late afternoon," "The great beyond Denver," "Theophany," and others. Ginsberg reads "Cyanide water in Pittsburgh," "Reading the newspapers can drive you mad," "Freedom of...
Allen Ginsberg class with William Burroughs. Ginsberg begins by reading from Burroughs's work, including his book Nova Express. Burroughs arrives and discusses writing techniques, including the idea that "Life is a cut up." He also talks about why he became a writer, Laurie Anderson, rolling drunks, biological warfare, weapons and retreats. The class learns some exercises for observing details while walking down the street. ( 2 reviews )
The first session of a class in basic poetics taught by Allen Ginsberg in 1980 at Naropa Institute. This session discusses Shakespeare's poetry and the Lyric and Ballad poets, juxtaposing these with Modernist, Futurist, and contemporary poets such as William Carlos Williams, Ezra Pound, Charles Reznikoff, and David Cope, to show the evolution and direction of poetics. Ginsberg ends the session by reading extensively from Cope's selected works. This is class 1 of 33.
The eleventh in a series of a basic poetics class taught by Allen Ginsberg in 1980 at Naropa. In this class he continues his discussion of Basil Bunting, Campion and Dowland. Works read and discussed include Thou Must Home to Shadow Underground and Follow Thy Fair Sun by Campion. This is class 11 of 33.
A literature class, "Basic Poetics," taught by Allen Ginsberg at The Naropa Institute April 21, 1980. Ginsberg and class begin by discussing the poetry of Hart Crane and John Milton with regards to prosody. Ginsberg spends most of the rest of the class reading from and discussing John Milton's Paradise Lost. This is class 24 of 33.
A literature class, "Basic Poetics," taught by Allen Ginsberg at The Naropa Institiute May 15, 1980. For the duration of the class Ginsberg discusses Saphhic meter using various poems to demonstrate the ancient form. This is class 29 of 33.
A literature course, "Basic Poetics," taught by Allen Ginsberg at The Naropa Institute May 18, 1980. Ginsberg begins the class by discussing Sapphic meter in Ancient Greek poetry. He then moves on to read various poet's take on the Greek form. Ginsberg ends the class with the students sharing their own sapphic poems. This is class 30 of 33.
A literature class, "Basic Poetics," taught by Allen Ginsberg at The Naropa Institute May 22, 1980. Ginsberg spends the class reading and discussing the work of various poets throughout the ages who have dealt with the Sapphic form, from the ancient Greeks to Ezra Pound. Included are a number of different translations of works by Catullus. Ginsberg also plays recordings of Ed Sanders reciting poems by Sappho and Blake. This is class 31 of 33.
A literature class, "Basic Poetics," taught by Allen Ginsberg May 26, 1980. Ginsberg begins the class by singing poems by Sappho and songs by William Blake and Isaac Watts accompanied by harmonium. The rest of the class is devoted to Christopher Smart's poetry, specifically "Rejoice In The Lamb" and "Jubilate Agno." This is class 32 of 33.
A literature class, "Basic Poetics," taught by Allen Ginsberg at The Naropa Institute May 29, 1980. Ginsberg spends the majority of the class fielding questions from the class and discussing the practice of writing with regards to his own work and the work of his peers. Ginsberg ends the class by singing sections of Blake's "The Songs Of Innocence and of Experience." This is class 33 of 33. ( 1 reviews )
The fourth in a series of a basic poetics class taught by Allen Ginsberg in 1980 at Naropa. In this class he continues his discussion of Old English poetry stressing this time the alliterative aspects of the verse. Also included is Old Anglo-Saxon alliterative verse such as Beowulf and Sir Gwain and the Green Knight then shifts into The Age of Anxiety by W. H. Auden (who in this 100 pg. poem uses Old English meter and Anglo-Saxon alliteration) to draw a fine juxtaposition in the evolution and...
The Tenth class on Basic Poetics by Allen Ginsberg. (The ninth class has no tape) To begin this class students sing the ballad...with guitar. Leads into a discussion of Basil Bunting and Quantitative Poetics. This is class 10 of 33.
A Basic Poetics Class with Allen Ginsberg at Naropa in 1980. This recording contains part of class 12 and 13 from Feb.21 and 25, 1980. In this class Ginsberg discusses and reads Elizabethan English Lyric. Works include The Passionate Shepherd by Marlowe and Ralegh's The Nymph's Reply, The Lie, and Nature, That Washed Her Hands in Milk; The Aged Lover Renounceth Love and Greensleeves. This is class 12 of 33.
A continuation of a Basic Poetics Class taught by Allen Ginsbergin 1980 at Naropa. In this class Ginsberg covers William Shakespeare's Sonnets. Topics include reading the sonnets as a novel of a love triangle between Shakespear, a young man, and the Dark Lady. Some works discussed and read include Sonnets 20 (the key to the sonnets), 18, 29, 33, 57 (the S and M sonnet), 64, 65, 73, 94, 116, 129, 144, 147, 152, and 153. This is class 16 of 33.
This is the 17th session of a class in basic poetics taught by Allen Ginsberg in 1980 at the Naropa Institute. In this class, Ginsberg reads and discusses a number of songs by Shakespeare. During the last part of the class the students recite spontaneous poems. This is class 17 of 33.
The 19 in a series of a baisic poetics class taught by Allen Ginsberg in 1980 at Naropa. In this class he uses A Litany in Time of Plague by Thomas Nashe to discuss cadence and description in poetry. Other poets discussed in this context are Gregory Corso, Jack Kerouac, Louis Zukofsky, and William Carlos Williams whose essay on Alfred Steiglitz is read in class. He ends with a brief comment on Marianne Moore's use of Light Rhymes. This is class 18 of 33.
A literature class, "Basic Poetics," taught by Allen Ginsberg at The Naropa Institute March 27, 1980. Ginsberg begins discussing the prosody of Robert Creeley then segues into the bulk of the lecture centered around the poetry of the English Metaphysical poet John Donne. This is class 19 of 33.
A literature class, "Basic Poetics," taught by Allen Ginsberg at The Naropa Institue April 3, 1980. Ginsberg begins by discussing the prosody of Ezra Pound's Pisan Cantos, reading #80 in full, then segues into the bulk of the lecture centered around the prosody of English poet Ben Jonson. This is class 20 of 33.
A literature class, "Basic Poetics," taught by Allen Ginsberg at The Naropa Institute April 17, 1980. Ginsberg begins the class by discussing and reading from George Herbert. He then reads a selection of Jack Kerouac's poetry finally ending by reading and discussing selections of James Shirley and Thomas Carey's poetry. This is class 21 of 33.
A literature class, "Basic Poetics," taught by Allen Ginsberg at The Naropa Institure April 10, 1980. Ginsberg and class discuss and read from the works of Ben Jonson and Robert Herrick. Ginsberg focuses mostly on the prosody of these to poet's work. This is class 22 of 33.
A literature class taught by Allen Ginsberg at The Naropa Institute, April 14, 1980. Ginsberg and class read and discuss the poetry of Hart Crane, George Herbert, Henry King and Dylan Thomas. Ginsberg also speaks extensively about the notions of condensation, vision and meter. This is class 23 of 33.
A literature class, "Basic Poetics," taught by Allen Ginsberg at The Naropa Institute April 28, 1980. The majority of the class is spent reading and discussing the work of the poets John Suckling and Andrew Marvell. The work of Anne Bradstreet, Abraham Cowley, Richard Crawshaw, Thomas Carew, and Richard Lovelace is also discussed. This is class 26 of 33.
A literature class, "Basic Poetics," taught by Allen Ginsberg at The Naropa Institute May 12, 1980. Ginsberg begins the class by speaking about the heroic couplet form. Ginsberg then segues into reading and discussing the poetry of John Dryden, Simon Wastell, Thomas Vaughn, Thomas Traherne, Edward Taylor and The Earl Of Rochester. This is class 28 of 33.
This is the 3rd session of a class in basic poetics taught by Allen Ginsberg in 1980 at the Naropa Institute. In this class, Ginsberg discusses H. Phelps Putnam, and reads Putnam's Hasbrook and the rose. He then reads and discusses Geoffrey Chaucer's Merciless beauty in conjunction with Ezra Pound's Cantos 81. After discussing alliteration and other aspects of verse, he reads and discusses Pound's translation of The sea-farer. He reads three different versions of Langland's Piers Plowman, and...
This is a class on Shakespeare's Tempest, taught by Allen Ginsberg, from August 18, 1980 at Naropa. At the outset, Ginsberg explains that instead of reading the whole play through, he will touch on important lines in each Act and scene and explore them deeply. In this recording he discusses Act I scene 1 and 2 with various digressions and explications on Shakespeare's metaphores, Aristotle's poetic and dramatic theories, Ezra Pound's four parts of poetry, and Ginsberg's own poetic influences...
Tape 11 of an 11 tape series of Allen Ginsberg's class on Expansive Poetics. Subject matter includes background on such Russian writers as Kaysin Kuliev and Sergei Yesenin. Also included are readings of work by Gordon McVay, Vladimir Klebnikov, and Sergei Yesenin.
Allen Ginsberg 19th Century Poetics: Wordsworth's "Prelude." This class goes through a series of pieces of Wordsworth's Prelude. This is a very long poem separated into books. AG reads aloud from Books 5, 6, 7, 8 and 10. There is commentary intermittently dispersed through each reading and comparisons of Wordsworth to other authors. In the beginning of the class, there is a long digression on synchronicity, as Book 5 has "Spots of Time" which is a recount of a dream...
Allen Ginsberg class, 19th century poetry begins with continued discussion of Wordsworth's "Prelude" from class on 81P167. Ginsberg reads from Book 11 Line 106, Book 12 line 208 and Book 14 lines 10-61. There is some discussion of Reznikof and his Five Groups of Verse. Then the class moves on to Coleridge's Kubla Khan, which is read aloud and discussed.
Allen Ginsberg 19th Century Poetics class on Coleridge. AG reads many lines from "The Rime of the Ancient Mariner" with discussion around the language, imagery and structure. He then acquaints the poem to being a parable about junk because Coleridge was a junky. AG then reads "The Aeolian Harp", "Ode to the departing year", "This lime tree bower, my prison", "Dejection in ode" and "To Lewti." There is a discussion regarding the word...
AG class on 19th Century poetry specifically William Blake. There is a reading of "The Tyger" by Allen Ginsberg and then much discussion regarding Blake's systemology. AG describes the four zoas. In this discussion there is talk about Buddhism, creationism and the mythology of boundary. AG reads "The Abstract Human." He talks about Yeats and Ezra Pound and his personal experience of being turned on to Blake. The class ends with the reading of the last poem in the Songs of...